...vayan a artjammer.com y vean una práctica contemporanea. Busquen a Chuck Close tambien.
Los pasos a seguir en el trabajo final son:
1. Investigación: historia del retrato, estilos del retrato, retratistas de cada epoca y su estilo:
(egipcio, greco-romano, bizantino, medieval, renacentista, reformista del norte de Europa, contrareforma del Sur de Europa, Impresionismo, Post-impresionismo, Rafaelismos,cubismo,surrealismo,futurismo,expresionismo alemán,abstracción,feminista,conceptual,'earth works',post modernism, post post modern (popomo)
2. Escoger 1 artista que va ha ser el modelo que va a emular. Traer copia de pintura del auto retrato de ese artista.
3. Escoger el estilo que va a utilizar ---todos menos manga japonesa.
4. Traer una foto actual como referencia.
5. Traer papel de dibujo no menor de 18x24, lapices de dibujo, gomas, etc. (ver lista de posibles materiales en el silabario, incluyendo crayon conté)
6. 3 posibles bocetos.
domingo, 26 de octubre de 2008
Retrato contemporaneo -contemporary portrait
http://edition.cnn.com/2008/WORLD/europe/10/25/barcelona.obama.art/index.html
http://www.artjammer.com/identity.htm
Artist to create massive Obama portrait near Barcelona beach
* Story Highlights
* Cuban-American artist plans to finish work before U.S. elections
* 500 tons of material will cover 2.5 acres of beachfront
* Democratic presidential candidate is "larger than life," artist says
* Project also aims to address issue of "trying to find heroes"
* Next Article in World »
From Al Goodman
CNN Madrid Bureau Chief
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MADRID, Spain (CNN) -- Barack Obama sometimes gets ribbed for his outsized ideas, like the massive stage built in Denver, Colorado, to accept the Democratic presidential nomination. But an artist in Barcelona, Spain, may be about to outdo the candidate himself.
Large-format sketches have long been a focus of artist Jorge Rodriguez-Gerada's work.
Large-format sketches have long been a focus of artist Jorge Rodriguez-Gerada's work.
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1 of 2
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The artist plans to create a gigantic face of Obama sculpted from gravel and sand, which will cover nearly 2.5 acres (1 hectare) of Barcelona beachfront before the U.S. elections.
"The size of the piece is intrinsic to its value," the artist, Jorge Rodriguez-Gerada, said Saturday.
He hopes it will be big enough to be seen on Google Earth.
"Obama's personality -- his youth, personal history and message of a new politics -- has fused with the historical moment to create someone larger than life," says the artist's dossier about the work, titled "Expectation."
The huge size also alludes "to the global impact of this election," the dossier adds.
Rodriguez-Gerada, 42, is a Cuban-born American who grew up in North Plainfield, New Jersey, near New York, and now lives in Barcelona.
The artist, who has long focused on large-format sketches and other designs, said he had been planning to put an anonymous face on Barcelona's Mediterranean beachfront but shelved the idea. Then, six weeks ago, he decided it should be Obama's face.
"Everybody's doing work about Obama," he said. "I was talking to my wife about the importance of this election internationally. It all came together."
The idea, that is. The execution of the project is still a work in progress, but with a lot of help pouring in.
The artist has created what he calls a "vectored image" from different photos of Obama, showing the candidate's face looking left over his shoulder.
He will use 500 tons of material -- mainly gravel but also sand and possibly some soil in black, brown and white tones -- to create the image on a flat piece of land slightly raised and overlooking the Mediterranean, near downtown Barcelona.
The artist and a Barcelona newspaper say the city has temporarily ceded use of the land for the project.
The portrait of Obama's face will be 445 feet long by 264 feet wide (139.28 by 82.67 meters) and the artist hopes to have it done by late next week or no later than November 3, the day before the U.S. elections.
The materials have been donated, along with bulldozers and their drivers. The crews will initially spread the materials along white lines, and other markers that will be laid out according to the sketch.
Then, the artist's technical team will direct volunteers with garden rakes to put the final touches on the materials, making sure the various colors are spread properly on the ground in order to depict Obama's eyes, hair, cheeks and collar, according to the plans.
Rodriguez-Gerada said he'll need to raise about $18,700 (15,000 euros) for other costs, such as rakes and gloves for volunteers, documentation, even portable toilets for the crew.
He said it's his "biggest work ever, in scale and complexity."
He's a self-described political independent until recently, when he joined Democrats Abroad in Spain. But he added that the art project is his alone, without help from any political organization or campaign, and he won't be paid for it.
Rodriguez-Gerada said this project also aims to address the issue of "trying to find heroes with empathy for the problems of the world. We really need empathy from Barack Obama. There's a need to do positive things for the future."
Obama's giant face would be environmentally friendly, with all natural colors, so the materials could be recycled, the artist said.
Rodriguez-Gerada's not sure how long the face would remain in place in Barcelona, because the site is slated to be used for a new municipal building.
But even if the face isn't permanent, it might be the start of outsized artistic images of Obama.
sábado, 18 de octubre de 2008
Ejemplo de una oportunidad afuera de PR
http://chroniclebooks.net/designfellowship/about.php
...en diseños de carátulas de libros....
...en diseños de carátulas de libros....
domingo, 12 de octubre de 2008
ASIGNACION: DISEÑO DE CARÁTULA DE LIBRO O CD
1. Escoger libro o cd que va a ser el sujeto de la carátula.
2. Analizar en tėrminos de tema, personajes, eventos, estilos, y maneras de expresar cada una de las carácteristicas que se van a desarrollar. Bocetear tipo de diseño que se puede escoger: alegria, depresion, confusion, radial, piramide, etc. Refieranse a sus notas y al silabario.
3. Hacer lista de palabras-imágenes que van a bocetear.
4. Experimentos con la iconografía: textura real, o implicada, tratamientos de fondo, tratamientos de figuras, composición, ritmo, balance, en forma de S, en forma de pirámide, diagonal, horixontal, vertical, etc.
5. Hacer tres bocetos y traer a clase pasos del 1-5.
6. Hacer obra final en acuarela, o acrilico, o tinta china no menor de 8z10 y no mayor de 16z20. Puede ser en papel de dibujo, en canvasette, o en canvas.
Traer todo, 1-6 a clase.
De este ejercicio saldrá la nota de mitad de semestre. Busco que cada paso esté documentado a cabalidad y completo, incluyendo los garabatos que se hacen a mano libre.
TODO.
2. Analizar en tėrminos de tema, personajes, eventos, estilos, y maneras de expresar cada una de las carácteristicas que se van a desarrollar. Bocetear tipo de diseño que se puede escoger: alegria, depresion, confusion, radial, piramide, etc. Refieranse a sus notas y al silabario.
3. Hacer lista de palabras-imágenes que van a bocetear.
4. Experimentos con la iconografía: textura real, o implicada, tratamientos de fondo, tratamientos de figuras, composición, ritmo, balance, en forma de S, en forma de pirámide, diagonal, horixontal, vertical, etc.
5. Hacer tres bocetos y traer a clase pasos del 1-5.
6. Hacer obra final en acuarela, o acrilico, o tinta china no menor de 8z10 y no mayor de 16z20. Puede ser en papel de dibujo, en canvasette, o en canvas.
Traer todo, 1-6 a clase.
De este ejercicio saldrá la nota de mitad de semestre. Busco que cada paso esté documentado a cabalidad y completo, incluyendo los garabatos que se hacen a mano libre.
TODO.
domingo, 5 de octubre de 2008
Problemas con la última clase
Me informaron ayer sábado que la persona que dejé a cargo de la clase no
asistió. Primero, les pido excusas por lo ocurrido. Espero podamos recuperarla.
Sin embargo, eso no quita que ustedes hayan podido continuar trabajando en sus
asignaciones para tener la crítica en clase de las tres pinturas.
Cualquier duda, ya saben me pueden escribir a mi correo electrónico. Nos vemos el viernes sDq.
Rosina
asistió. Primero, les pido excusas por lo ocurrido. Espero podamos recuperarla.
Sin embargo, eso no quita que ustedes hayan podido continuar trabajando en sus
asignaciones para tener la crítica en clase de las tres pinturas.
Cualquier duda, ya saben me pueden escribir a mi correo electrónico. Nos vemos el viernes sDq.
Rosina
jueves, 18 de septiembre de 2008
Viernes 26 Sept. y Oct. 3
*Traer pequeño pote de gesso de artista y papel de lija, fino y extra fino
*2 maisonite no menor de 8x11
*1 papel de acuarela de 140 lbs.
*Brocha ancha de 3" barata tipo, hecha en China
* Masking tape y papel engomado de empacar paquetes
*Materiales detalladados en el Taller #5/5a
Bajo tutela de la artista sustituta, Catherine Matos Olivo, MFA preparar los dos soportes, el de acuarela y el maisonite para acrílicos
Realizar un boceto en clase en acuarela CON UN SOLO COLOR de cualquier objeto que escoja
Realizar boceto a TODO COLOR basada en el boceto de acuarela monocromática sobre el maisonite
Continuar trabajo en casa y en salón.
Una vez completados los dos bocetos, hacer la pintura en canvas no menor
de 16 x 20. Trabajar en casa y salón.
Traer las 3 pinturas para la crítica en el salón de clase en OCTUBRE 10.
*2 maisonite no menor de 8x11
*1 papel de acuarela de 140 lbs.
*Brocha ancha de 3" barata tipo, hecha en China
* Masking tape y papel engomado de empacar paquetes
*Materiales detalladados en el Taller #5/5a
Bajo tutela de la artista sustituta, Catherine Matos Olivo, MFA preparar los dos soportes, el de acuarela y el maisonite para acrílicos
Realizar un boceto en clase en acuarela CON UN SOLO COLOR de cualquier objeto que escoja
Realizar boceto a TODO COLOR basada en el boceto de acuarela monocromática sobre el maisonite
Continuar trabajo en casa y en salón.
Una vez completados los dos bocetos, hacer la pintura en canvas no menor
de 16 x 20. Trabajar en casa y salón.
Traer las 3 pinturas para la crítica en el salón de clase en OCTUBRE 10.
Viernes 19 sept
Escoger 3 objetos que lo defina como persona.
1. dibuje cada objeto sobre papel negro
2. recórtelo y píquelo en cinco pedzos irregulares
3. Sobre un papel blanco, péguelos de manera que se ilustre
el concepto de fondo y figura, balance, ritmo y composicion (óvalo, pirámide, S)
4. Arregle cada composición para que denote una de las siguientes emociones:
Depresión
Exitación
aplomo
confusion
dinamismo
caida
alegria
1. dibuje cada objeto sobre papel negro
2. recórtelo y píquelo en cinco pedzos irregulares
3. Sobre un papel blanco, péguelos de manera que se ilustre
el concepto de fondo y figura, balance, ritmo y composicion (óvalo, pirámide, S)
4. Arregle cada composición para que denote una de las siguientes emociones:
Depresión
Exitación
aplomo
confusion
dinamismo
caida
alegria
lunes, 15 de septiembre de 2008
beca
-----Inline Attachment Follows-----
09/15/08 artandeducation.net
2008 Jean-Claude Reynal Scholarship
A 10,000 euros grant awarded
to a young artist for studies abroad
Deadline for online registration:
15th of November 2008
http://www.rosab.net/bourse-reynal
The Jean-Claude Reynal Foundation, under the auspices of the Foundation of France, in collaboration with the Fine Arts School of Bordeaux, offers an annual grant of 10,000 euros to enable a young artist, who works directly on paper, to travel to a country of his/her choice for a period of six months maximum.
Conditions
Candidates must be between 20 and 30 years of age and have had an artistic practice on paper for at least two years. All artists are eligible regardless of educational background or nationality.
50% of the scholarship money will be paid before departure and 50% at the time and place of residency.
The prize winner authorizes the Reynal Foundation to use a work of his/her choice on the media announcing the following year's scholarship competition. The chosen work will be approved by the executive committee.
Modalités de participation
Modalities of participation
Registration only online on this web page that allows to:
1. fill in the application form (studies, curriculum, travel project);
2. upload your portfolio as a PDF file (maximum filesize: 10 MB).
Schedule
Deadline for online registration: 15th of November 2008.
A first examination and selection will take place in the beginning of December.
The selected artists will have to send three original works on paper (drawings or prints of all kinds) the dimensions of which must not exceed 40 × 60 cm (15-3/4 × 23-5/8″).
Works must be sent or hand-delivered no later than the 20th of December 2008 to:
* Ann-Gaëlle Coomber
École des beaux-arts de Bordeaux
7 rue des Beaux-Arts
33800 Bordeaux Cedex
France
* Telephone:
+33 (0) 5 56 33 49 10
* E-mail:bourse.reynal@gmail.com
Candidates will be informed of results (first examination and final selection) by e-mail.
Original works will be returned within a reasonable time frame.
Jury
Works will be examined by the following jury:
* Mr Georges Reynal,
president of the Jean-Claude Reynal Foundation;
* A representative of the Foundation of France;
* Mrs Claire Jacquet,
director of the Frac-Collection Aquitaine;
* Mrs Sylvie Boulanger,
director of the National Center for Engraving and Printed Art;
* Mrs Guadalupe Echevarria,
director of the Fine Arts School of Bordeaux;
* Mrs Hélène Lemoine,
qualified professional;
* Mr Yann Chateigné,
head of programming at the CAPC Musée, Bordeaux;
* Mr Pierre Ponant,
graphic art historian, teacher in the Fine Arts School of Bordeaux;
* Mr Christian Jean-Dit-Cazaux,
appraiser, author;
* Mr Robert Frelaut,
engraver, printer;
* Mr Ivan Lacaze,
former director of Cultural Affairs of the City of Bordeaux;
* Mr Louis-Guy Gayan,
representative of the Jean-Claude Reynal Foundation.
09/15/08 artandeducation.net
2008 Jean-Claude Reynal Scholarship
A 10,000 euros grant awarded
to a young artist for studies abroad
Deadline for online registration:
15th of November 2008
http://www.rosab.net/bourse-reynal
The Jean-Claude Reynal Foundation, under the auspices of the Foundation of France, in collaboration with the Fine Arts School of Bordeaux, offers an annual grant of 10,000 euros to enable a young artist, who works directly on paper, to travel to a country of his/her choice for a period of six months maximum.
Conditions
Candidates must be between 20 and 30 years of age and have had an artistic practice on paper for at least two years. All artists are eligible regardless of educational background or nationality.
50% of the scholarship money will be paid before departure and 50% at the time and place of residency.
The prize winner authorizes the Reynal Foundation to use a work of his/her choice on the media announcing the following year's scholarship competition. The chosen work will be approved by the executive committee.
Modalités de participation
Modalities of participation
Registration only online on this web page that allows to:
1. fill in the application form (studies, curriculum, travel project);
2. upload your portfolio as a PDF file (maximum filesize: 10 MB).
Schedule
Deadline for online registration: 15th of November 2008.
A first examination and selection will take place in the beginning of December.
The selected artists will have to send three original works on paper (drawings or prints of all kinds) the dimensions of which must not exceed 40 × 60 cm (15-3/4 × 23-5/8″).
Works must be sent or hand-delivered no later than the 20th of December 2008 to:
* Ann-Gaëlle Coomber
École des beaux-arts de Bordeaux
7 rue des Beaux-Arts
33800 Bordeaux Cedex
France
* Telephone:
+33 (0) 5 56 33 49 10
* E-mail:bourse.reynal@gmail.com
Candidates will be informed of results (first examination and final selection) by e-mail.
Original works will be returned within a reasonable time frame.
Jury
Works will be examined by the following jury:
* Mr Georges Reynal,
president of the Jean-Claude Reynal Foundation;
* A representative of the Foundation of France;
* Mrs Claire Jacquet,
director of the Frac-Collection Aquitaine;
* Mrs Sylvie Boulanger,
director of the National Center for Engraving and Printed Art;
* Mrs Guadalupe Echevarria,
director of the Fine Arts School of Bordeaux;
* Mrs Hélène Lemoine,
qualified professional;
* Mr Yann Chateigné,
head of programming at the CAPC Musée, Bordeaux;
* Mr Pierre Ponant,
graphic art historian, teacher in the Fine Arts School of Bordeaux;
* Mr Christian Jean-Dit-Cazaux,
appraiser, author;
* Mr Robert Frelaut,
engraver, printer;
* Mr Ivan Lacaze,
former director of Cultural Affairs of the City of Bordeaux;
* Mr Louis-Guy Gayan,
representative of the Jean-Claude Reynal Foundation.
beca
-----Inline Attachment Follows-----
09/15/08 artandeducation.net
2008 Jean-Claude Reynal Scholarship
A 10,000 euros grant awarded
to a young artist for studies abroad
Deadline for online registration:
15th of November 2008
http://www.rosab.net/bourse-reynal
The Jean-Claude Reynal Foundation, under the auspices of the Foundation of France, in collaboration with the Fine Arts School of Bordeaux, offers an annual grant of 10,000 euros to enable a young artist, who works directly on paper, to travel to a country of his/her choice for a period of six months maximum.
Conditions
Candidates must be between 20 and 30 years of age and have had an artistic practice on paper for at least two years. All artists are eligible regardless of educational background or nationality.
50% of the scholarship money will be paid before departure and 50% at the time and place of residency.
The prize winner authorizes the Reynal Foundation to use a work of his/her choice on the media announcing the following year's scholarship competition. The chosen work will be approved by the executive committee.
Modalités de participation
Modalities of participation
Registration only online on this web page that allows to:
1. fill in the application form (studies, curriculum, travel project);
2. upload your portfolio as a PDF file (maximum filesize: 10 MB).
Schedule
Deadline for online registration: 15th of November 2008.
A first examination and selection will take place in the beginning of December.
The selected artists will have to send three original works on paper (drawings or prints of all kinds) the dimensions of which must not exceed 40 × 60 cm (15-3/4 × 23-5/8″).
Works must be sent or hand-delivered no later than the 20th of December 2008 to:
* Ann-Gaëlle Coomber
École des beaux-arts de Bordeaux
7 rue des Beaux-Arts
33800 Bordeaux Cedex
France
* Telephone:
+33 (0) 5 56 33 49 10
* E-mail:bourse.reynal@gmail.com
Candidates will be informed of results (first examination and final selection) by e-mail.
Original works will be returned within a reasonable time frame.
Jury
Works will be examined by the following jury:
* Mr Georges Reynal,
president of the Jean-Claude Reynal Foundation;
* A representative of the Foundation of France;
* Mrs Claire Jacquet,
director of the Frac-Collection Aquitaine;
* Mrs Sylvie Boulanger,
director of the National Center for Engraving and Printed Art;
* Mrs Guadalupe Echevarria,
director of the Fine Arts School of Bordeaux;
* Mrs Hélène Lemoine,
qualified professional;
* Mr Yann Chateigné,
head of programming at the CAPC Musée, Bordeaux;
* Mr Pierre Ponant,
graphic art historian, teacher in the Fine Arts School of Bordeaux;
* Mr Christian Jean-Dit-Cazaux,
appraiser, author;
* Mr Robert Frelaut,
engraver, printer;
* Mr Ivan Lacaze,
former director of Cultural Affairs of the City of Bordeaux;
* Mr Louis-Guy Gayan,
representative of the Jean-Claude Reynal Foundation.
09/15/08 artandeducation.net
2008 Jean-Claude Reynal Scholarship
A 10,000 euros grant awarded
to a young artist for studies abroad
Deadline for online registration:
15th of November 2008
http://www.rosab.net/bourse-reynal
The Jean-Claude Reynal Foundation, under the auspices of the Foundation of France, in collaboration with the Fine Arts School of Bordeaux, offers an annual grant of 10,000 euros to enable a young artist, who works directly on paper, to travel to a country of his/her choice for a period of six months maximum.
Conditions
Candidates must be between 20 and 30 years of age and have had an artistic practice on paper for at least two years. All artists are eligible regardless of educational background or nationality.
50% of the scholarship money will be paid before departure and 50% at the time and place of residency.
The prize winner authorizes the Reynal Foundation to use a work of his/her choice on the media announcing the following year's scholarship competition. The chosen work will be approved by the executive committee.
Modalités de participation
Modalities of participation
Registration only online on this web page that allows to:
1. fill in the application form (studies, curriculum, travel project);
2. upload your portfolio as a PDF file (maximum filesize: 10 MB).
Schedule
Deadline for online registration: 15th of November 2008.
A first examination and selection will take place in the beginning of December.
The selected artists will have to send three original works on paper (drawings or prints of all kinds) the dimensions of which must not exceed 40 × 60 cm (15-3/4 × 23-5/8″).
Works must be sent or hand-delivered no later than the 20th of December 2008 to:
* Ann-Gaëlle Coomber
École des beaux-arts de Bordeaux
7 rue des Beaux-Arts
33800 Bordeaux Cedex
France
* Telephone:
+33 (0) 5 56 33 49 10
* E-mail:bourse.reynal@gmail.com
Candidates will be informed of results (first examination and final selection) by e-mail.
Original works will be returned within a reasonable time frame.
Jury
Works will be examined by the following jury:
* Mr Georges Reynal,
president of the Jean-Claude Reynal Foundation;
* A representative of the Foundation of France;
* Mrs Claire Jacquet,
director of the Frac-Collection Aquitaine;
* Mrs Sylvie Boulanger,
director of the National Center for Engraving and Printed Art;
* Mrs Guadalupe Echevarria,
director of the Fine Arts School of Bordeaux;
* Mrs Hélène Lemoine,
qualified professional;
* Mr Yann Chateigné,
head of programming at the CAPC Musée, Bordeaux;
* Mr Pierre Ponant,
graphic art historian, teacher in the Fine Arts School of Bordeaux;
* Mr Christian Jean-Dit-Cazaux,
appraiser, author;
* Mr Robert Frelaut,
engraver, printer;
* Mr Ivan Lacaze,
former director of Cultural Affairs of the City of Bordeaux;
* Mr Louis-Guy Gayan,
representative of the Jean-Claude Reynal Foundation.
jueves, 11 de septiembre de 2008
Viernes 12 Sept
1. Traer tinta china, lapices, puntos de tinta china
2. Papel de dibujo no menor de 8x11
3. Asignacion: dos "tratamientos de fondo y figura" en blanco y negro
4. Las copias (8) del dibujo original
5. El dibujo original
6. Un cartón 8x11 como los de los blocs de escribir o algo similar para cortar
7. Xacto knife
Vamos a hacer primera exhibición y crítica
2. Papel de dibujo no menor de 8x11
3. Asignacion: dos "tratamientos de fondo y figura" en blanco y negro
4. Las copias (8) del dibujo original
5. El dibujo original
6. Un cartón 8x11 como los de los blocs de escribir o algo similar para cortar
7. Xacto knife
Vamos a hacer primera exhibición y crítica
jueves, 4 de septiembre de 2008
Viernes
1.traer rueda de color
2. foto con analisis de lineas de composicion
3. vegetal
4. bitacora de dibujo
5. lapices de varios numeros (2B, 4H, etc.)
6. Tinta china
Aqui pueden encontrar todo sobre como hacer la ilusiǿn óptica.
http://library.thinkquest.org/16661/escher/tessellations.1.html
2. foto con analisis de lineas de composicion
3. vegetal
4. bitacora de dibujo
5. lapices de varios numeros (2B, 4H, etc.)
6. Tinta china
Aqui pueden encontrar todo sobre como hacer la ilusiǿn óptica.
http://library.thinkquest.org/16661/escher/tessellations.1.html
miércoles, 27 de agosto de 2008
Para trabajar en clase...
1, CLIQUEEN SOBRE EL PATRÓN DE LA FOTO QUE PREFIERAN.
2. DESPUES QUE ESTÉ EN SU PANTALLA EN GRANDE, IMPRIMANLO.
3. TRAIGANLO A CLASE, junto con tinta china, pinceles y puntos de varios tamaños para la pluma de tinta.
4. DOS COPIAS DE CADA UNO DE LOS DISEÑOS.
viernes, 22 de agosto de 2008
Asignación para Viernes 29
1. Terminar foto en casa.
2. Ir a biblioteca y hacer reporte de pintores
3. Venir preparados para compartir tu reporte en clase
4. Venir preparados para contarnos la experiencia y frustración (o no) de pintar en técnica de collage.
En clase: Conferencia y ejercicios en clase. Traer lapices, distintos números (4HB,2H, 2B, etc.) Libreta de dibujo, tinta china y plumas con distintos puntos (nibs)
2. Ir a biblioteca y hacer reporte de pintores
3. Venir preparados para compartir tu reporte en clase
4. Venir preparados para contarnos la experiencia y frustración (o no) de pintar en técnica de collage.
En clase: Conferencia y ejercicios en clase. Traer lapices, distintos números (4HB,2H, 2B, etc.) Libreta de dibujo, tinta china y plumas con distintos puntos (nibs)
miércoles, 20 de agosto de 2008
Trabajo del Viernes ag 22
1. Entregar asignaciones. Con su nombre e email, por si tengo que hacerles comentarios personales, privados.
2. Hacer 'pintura-collage' de foto con magazines picados.
3. De 11 a 12: ir a biblioteca para orientación.
2. Hacer 'pintura-collage' de foto con magazines picados.
3. De 11 a 12: ir a biblioteca para orientación.
domingo, 17 de agosto de 2008
Clarificando dudas
"Misao escribe:
era para verificar el blog que no lo puedo ver, usted dijo que era www.tfa101asantana.blogspot.com pero no me aparece. Las primeras asignaciones que aparecen en el silabario tampoco las entiendo muy bien; lo de artista hispano es en la biblioteca? o hay que traerlo ya hecho este viernes? tambien lo de las 8 tipos de lineas? en donde se deberia hacer esta tarea? en la libreta de dibujo de la clase o la de apuntes?"
*************
Si están leyendo esto, ya saben que el blog es : tfa101asantana.blogspot. com, sin el www.
Fue mi error.
Voy a clarificar las asignaciones.
Como no fuimos a la biblioteca esa parte de la asignación queda para la próxima semana, despues de que vayamos a la biblioteca.
Los 8 tipos de lineas están mostrados dentro de los ejemplos de los círculos en la última página.
Las lineas y la gamma de tonalidades de claro a oscuro con tinta y con lapiz son para entregar en un papel de dibujo no menor de 8.5 x 11.
Para la clase, 1 foto favorita de modelo, traer 2 magazines para cortar que tenga un papel glossy, tijeras, y/o x-acto knife, con pega de Contact Cement, 1 una cartulina blanca o negra, de acuerdo con el fondo que quieran para su 'pintura'.
era para verificar el blog que no lo puedo ver, usted dijo que era www.tfa101asantana.blogspot.com pero no me aparece. Las primeras asignaciones que aparecen en el silabario tampoco las entiendo muy bien; lo de artista hispano es en la biblioteca? o hay que traerlo ya hecho este viernes? tambien lo de las 8 tipos de lineas? en donde se deberia hacer esta tarea? en la libreta de dibujo de la clase o la de apuntes?"
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Si están leyendo esto, ya saben que el blog es : tfa101asantana.blogspot. com, sin el www.
Fue mi error.
Voy a clarificar las asignaciones.
Como no fuimos a la biblioteca esa parte de la asignación queda para la próxima semana, despues de que vayamos a la biblioteca.
Los 8 tipos de lineas están mostrados dentro de los ejemplos de los círculos en la última página.
Las lineas y la gamma de tonalidades de claro a oscuro con tinta y con lapiz son para entregar en un papel de dibujo no menor de 8.5 x 11.
Para la clase, 1 foto favorita de modelo, traer 2 magazines para cortar que tenga un papel glossy, tijeras, y/o x-acto knife, con pega de Contact Cement, 1 una cartulina blanca o negra, de acuerdo con el fondo que quieran para su 'pintura'.
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